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3452 Newtown Pike
Lexington, KY 40511
The Kasper
Foundation for Equine Art would like to congratulate
the winners of its Past Scholarships.
Tina Nawrocki, of Quebec,
Canada, winner of the Henry and Christie Metz Scholarship, attended the
American Academy of Equine Art September, 2001 workshop "Basic Equine Drawing."
Kathryn Livingston Ross, of North, South Carolina, winner of the Tuition-Only
Scholarship, attended the American Academy of Equine Art September, 2001 workshop
"Basic Equine Drawing."
Karen Dee Smith, of Perris, California, winner of a Full Scholarship
to the 2002 Workshop "The Arabian Horse in Art - Drawing, Painting,
and Sculpture" held at the Taos School of Equine Arts.
Gail Duituturaga, of Volcano, Hawaii, winner of a Tuition-Only Scholarship
to the 2002 Workshop "The Arabian Horse in Art - Drawing, Painting,
and Sculpture" held at the Taos School of Equine Arts.
Janice McCafferty of Lincoln, Maine, winner of a Tuition-Only Scholarship
to the 2002 Workshop "The Arabian Horse in Art - Drawing, Painting,
and Sculpture" held at the Taos School of Equine Arts.
We invite you to read the following excerpts from our winners' essays.
Their words eloquently validate the Foundation's mission of encouraging
both accomplished and aspiring artists to portray the Arabian.
"Why have I chosen the Arabian horse as a source of inspiration?
I was born in Poland, a country where the Arabian horse is treated in
a particular way, not only like an animal, but also like a work of art.
Actually, Polish painting was often inspired by this breed of horse. While
staying in my homeland, I had the chance to see the country's largest
Arab stables, and from that moment, I fell in love with these beautiful
creatures. Their grace of movement, their delicate shape, full silken
manes and tails, beautiful, intelligent eyes: all these characteristics
make them worthy of being immortalized on canvas….(Arabian) horses have
(been), and always will be, my greatest passion. I simply hope that, through
my painting, I might do them justice, and present them to the outside
world in their best light, in all their beauty and splendor."
Tina Nawrocki, Quebec, Canada
"The Arabian horse has spiritual presence weighted in mystery
and legend, making it a worthy subject of inspiration in that light alone.
The Arabian possesses grace of movement, balance of proportion, and refinement
of structure. (They) have flash, fire of spirit, and exquisite eyes and
face to express this inner flame. Granted it is significant to note that
my best friend is an Arabian horse….Through equine art it is my desire
to complete my spiritual link with these special animals and hope to share
this with others."
Kathryn Ross, North, South Carolina
"…art is the spiritual connection with the essence of my soul,
and the Arabian horse is the vehicle I most use to translate those emotions.
Most art classes have tried to discourage painting realistically and particularly,
realistic horses. To have the opportunity to be encouraged to create the
horse and to be inspired and validated by other equine artists is almost
unbelievable. And furthermore, to be encouraged to paint the Arabian takes
my breath away. New, fresh, and exuberant ideas are produced when so many
'like minds' come together."
Karen Dee Smith, Perris, California
"…The Arabian horse is without a doubt the most poetic. The gracious
lines of the face and top line. Aristocratic, the regal mount of ancient
emperors. Head alert with a fine bold tail like a wing ready to soar.
A fine coat with an underplay of pearl black skin that turns the hair
colors to shimmering layers of rubies with gold, all shades in between
from lava black with reflections of sky moving off the points, chocolate
brown, rose, starry blue and gray, to the wise beauty of noble white.
In the Arabian I am mesmerized by the dark soulful eyes lit with that
inner fires. The expression of 'I am a creature of the centuries, I am
here now, I have been here before, I am eternity.' How (does) the Arabian
horse inspire me? How could it not?"
Gail Duituturaga, Volcano, Hawaii
"As a child, I remember drawing….Arabian horses, always decked
in fantastic costumes with feathers and tassels flying over desert sands….I
grew up on a farm with horses, and always had a pony to ride. Always I
wished he were a prancing, dancing Arabian rather than a patient, fat
little pony…Now my daughter has become involved with Arabian horses, I
have become infatuated with their beauty and wonderful temperament all
over again. Working with these horses has reinforced everything I ever
thought they were and more. Their intelligence and loving, trusting character
constantly amazes me. I would love to explore my love of the Arabian.
I always have so much to learn.
Janice McCafferty, Lincoln, Maine
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